Ten years ago, Marvels was the breakthrough work for both of its creators: a worm's-eye view of the spectacle of Marvel comics history—35 years of glorious superheroes and terrifying super-disasters, told from the perspective of Phil Sheldon, a newspaper photographer who's experienced "the marvels" from ground level. Renowned artist Ross's rich, lush, nearly photorealistic style (he painted all the major characters from photographs of models) made his reputation—and the book—a landmark. The story, too, suggests a sort of grandeur that had largely slipped away from superhero comics by the early '90s, even as it describes the helplessness that normal people might feel in the presence of angel-winged mutants and rapacious gods from outer space. There are plenty of Easter eggs in Marvels for longtime comics buffs, although the book is structured so that new readers won't be lost, either. The level of detail goes much deeper than what's visible on the page, but its creators' command of that unseen background gives the story itself force and resilience.
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